Another 10ft x 5ft wingcloth completed – this is a quayside inn, and will be stage left, if I remember correctly, for Act 2 Scene 1. As ever in this group, there have been a couple of setbacks in the run up to this production, and with slightly less than two weeks before opening, there seems like far too much left to do.
As a result, the cloths become less ambitious – my design for this one had weary mariners enjoying the hospitality of the inn behind all that stuff in the window. As time ticked away, I cut out everything other than the beer barrels and Cedric the parrot.
Someone once said that painting is a process of accepting a series of small defeats – this is doubly true for scenery painting!
If, like me, you’ve looked at these Beery Advent Calendars from time to time but never been entirely sure about the idea, there are a couple of places where you can see a day by day report of this year’s calendar contents.
The Beer Hawk Advent Calendar;
The Honest Brew Advent Calendar;
Not as good as enjoying your own, but it’s been interesting to see what’s included.
It’s time, once again, for put upon scenic artists to gather their Caran d’Ache Blackwoods (excellent for marking cloths) and realise with horror the short time they have to put together five full sets of scenery.
This year, the production is Dick Whittington, and the cloth above is the first to be finished this year, a doorway which will be opposite Fitzwarren’s Store in Act 1 Scene 1.
Just nine more of these, and five backcloths to go.
I don’t know much about these pencils at all – they belonged to an art teacher, who had evidently bought them in bulk.
They’re a nice size, (10mm or so across the flats) similar to the Rowney Black Beauty, which is one of my favourite art pencils. They come in the four colours depicted, red, blue, green and yellow, but all have the same “No. 227” imprint, suggesting that only the colour is different.
The short points seem to be the factory point (the red and green pencils are the only ones out of the whole batch with that useful long point).
The imprint reads “perma bonded lead PRIMEX by Cumberland England No. 227”.
I can’t find any information about them from any of the usual sources, however.
Another Derwent Graphic, this time being used in a Dog IQ Test, on 5th June’s “Countryfile” programme, from the BBC.
The Graphic is a familiar pencil in the UK (perhaps not as familiar as the Staedtler Noris) – I remember doing my Art O-level with a mixed grade set of Graphics.
Another use for all those chisel sharpened carpenter pencils, at last…
I was pleased to see one of my favourites reviewed recently on the Rob’s Art Supply Reviews blog.
The Pentel Pocket Brush is inexpensive, and a lot of fun, although I am far from mastering it, as the example above of my work shows. What I like about the linked review are the tips at the end – if you’ve ever thought of trying a brush pen, there’s plenty of useful hints there.